Space, systems, possibility. A fascination with things that are not quite what they appear to be, and the moment something familiar slips into something other. The work has moved through architecture, institutions, constructed realities, technology, objects, histories and imagined worlds — following contradictions, testing boundaries, making connections and leaving enough uncertainty for something unexpected to happen. The space is never simply where something is displayed. The space shows what is possible.

The materials keep changing. Architecture, invisible rules, images, machines, landscapes, rumours, rituals, buildings, belief. Sometimes something is built; sometimes something existing is interfered with just enough to alter its meaning. The audience can become the performance. Fact can bleed into fabrication; fiction can generate evidence; research can open a door rather than close one. Increasingly the pull is towards impossible architecture, archaeology, underground worlds, real and fake histories — places where knowing and imagining can coexist without one having to defeat the other.

Running through this is another kind of making: fifteen years spent producing ambitious physical and digital experiences, assembling people, technologies and disciplines around ideas that do not yet know how to exist. AR, VR, AI, games, interactive environments; unfamiliar problems requiring new systems to make them real. MATTER is the enquiry. OPERATIONS is the machinery for making things possible. TRACE is where they become difficult to separate.

Interesting things tend to begin when ideas collide. If something here resonates, overlaps with your own interests, or sparks an unexpected connection, get in touch.